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b. 146-148

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GEFE,IE)

Fingering in EE

..

In the main text, we do not include the inauthentic R.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 147-148

composition: Op. 43, Tarantella

 
 
..

In GE the slur beginning in b. 132 extends over to the chord on the first beat in b. 148.

category imprint: Differences between sources

issues: GE revisions

b. 147

composition: Op. 39, Scherzo in C♯ minor

Short accent in EE

Long accent in GC (→GE)

No sign in FE

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In the main text we give a long accent, following  GC (→GE). In EE the accent mark is short, in FE there is no accent at all.

category imprint: Differences between sources

issues: Long accents

b. 147-148

composition: Op. 38, Ballade in F major

Long accents in A (→GC,FE)

Short accents in GE & EE

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According to us, two accents in the R.H. written in A are to be interpreted as long and this is how they were reproduced in FE (yet not in EE). The nature of equivalent signs in GC, despite its similarity to Chopin signs, is already less clear, thus GE has rather short accents.

category imprint: Differences between sources

issues: Long accents , EE inaccuracies

b. 147-148

composition: Op. 35, Sonata in B♭ minor, Mvt I

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GC and FE1 (→FE2FE3) lack six naturals before the notes which were previously already correctly written in another octave, which was completed in the subsequent sources to a varied extent. The fully correct text is included only in GE2 and EE2 (see also the note in bar 148). Similarly in the adjacent bars.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC