mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 192-193

composition: Op. 43, Tarantella

..

In GE in RH an arbitrary slur connecting f1 and e1 of the next bar was added.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 192-198

composition: Op. 39, Scherzo in C♯ minor

..

In GC (→GE) and FE the lower notes of the L.H. octaves in bars 192-194 and 198 were marked in an abbreviated manner with the digits 8. In EE, they were written out in notes, and we adopt that notation as matching today's standards. Similarly in bars 199, 236-240 & 486-493. See also the note concerning bars  195-196.

category imprint: Editorial revisions; Source & stylistic information

issues: Abbreviated octaves' notation

b. 192

composition: Op. 64 No 2, Waltz in C♯ minor

 before rest in A

 under rest in FE (→EE)

 after rest in GE1op (→GE2op→GE3op) & GE2no2)

No pedalling in GE1no2
..

We give the moment of the pedal's release in the main text after A. Minor shifts of  in the editions, particularly in GE, may suggest, taking into account the context, i.e. the end of the piece, a longer dying out of the sound, probably contrary to the intention of Chopin. The absence of indications in GE1no2 is undoubtedly an oversight. 

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , Errors in GE , GE revisions

b. 192

composition: Op. 21, Concerto in F minor, Mvt I

..

In A there are no naturals raising B1 to B1 and d2 to d2. The first of them was added already in GE1 (→FE→EE), the second one – only in EE and GE2.

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals , Inaccuracies in A

b. 192

composition: Op. 21, Concerto in F minor, Mvt I

in A & GE2

No marking in FE (→EE)
..

The omission of  in FE (→EE) could have been a result of Chopin's proofreading and it was almost certainly accepted by him.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE