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b. 181-182
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composition: Op. 44, Polonaise in F♯ minor
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The missing pedal markings in FE (→EE) do not seem to be an oversight, since the same situation can be observed in analogous b. 240-241, and the likelihood of the same mistake being made in two analogous places is negligible. It means that the markings were added to #A later – after [FC] had been finished – hence the discrepancy between the sources. category imprint: Differences between sources |
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b. 181-187
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composition: Op. 23, Ballade in G minor
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In A, the flats lowering a1 to a category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , FE revisions , Last key signature sign , Inaccuracies in A |
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b. 181-182
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composition: Op. 2, Variations, complete category imprint: Differences between sources; Editorial revisions |
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b. 181-191
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composition: Op. 2, Variations, complete
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In AsI these bars are almost devoid of performance indications, on which we do not comment further on. The only marking is the slur over the e category imprint: Differences between sources |
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b. 181
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composition: Op. 2, Variations, complete
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In the main text, we propose adding a slur covering a pair of double stops at the transition of bars 180-181, b category imprint: Differences between sources; Editorial revisions issues: EE revisions |
in 
1 in b. 181 and 184-187 and a to a
