|
b. 140
|
composition: Op. 11, Concerto in E minor, Mvt III
..
According to us, the staccato dot in FE (→EE) may be a result of a mistake of the engraver of FE; therefore, in the main text we suggest a wedge in this place – see also the note on bars 137-142. The absence of the mark in GE is most probably an oversight. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , Errors in GE |
||||||||
|
b. 140
|
composition: Op. 11, Concerto in E minor, Mvt III
..
FE is missing a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
||||||||
|
b. 140
|
composition: Op. 38, Ballade in F major
..
Two staccato marks written in A seem to be dots despite being bigger than usual – possibly Chopin emboldened them to make them better visible. FE read them as wedges. category imprint: Graphic ambiguousness; Differences between sources issues: Wedges , Inaccuracies in A |
||||||||
|
b. 140
|
composition: Op. 50 No. 3, Mazurka in C♯ minor
..
In the main text we give the sixth of FE, introduced by Chopin in the last stage of proofreading instead of a fourth, present in the remaining sources. One can see traces of a correction in the copies of FE. category imprint: Differences between sources; Corrections & alterations |
||||||||
|
b. 140
|
composition: Op. 50 No. 3, Mazurka in C♯ minor
..
The version of AI is the initial one and was then changed, most probably at the time when the R.H. top voice was being added. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
before the 5th semiquaver. The patent inaccuracy was corrected in the remaining editions.
1 in 
