mUltimate Chopin

Op. 50 No. 3, Mazurka in C♯ minor

Text Compare Notes Sources Description
EE
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
compare
  b. 137-140

No upper part in AI

Upper part, notation AF

Upper part, notation FE

Upper part, notation GE

Upper part, notation EE

In AI these bars follow b. 101-104 and continue the R.H. homophonic texture present in these bars. Apart from the missing additional voice over the quaver figuration, the differences with respect to the final version include:

  • the regular b1-c2-d2 sequence at the beginning of b. 137,
  • the initial version of the 2nd and 3rd beats of b. 140 – a1-e1-d1-c1.

Discussion of the differences in the notation of the two-part fragments in b. 138-140 – see the note to b. 134 and 136.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

notation: Pitch

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