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b. 136
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur in A is misleading – placed over the crotchets of the bottom voice, yet it clearly indicates the b category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 136-137
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composition: Op. 21, Concerto in F minor, Mvt I
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According to us, the slur of A, extended by Chopin until the bar line, was supposed to lead to f2 at the beginning of bar 137. However, its range is not entirely clear, which was reproduced in GE – the slur in bar 136, at the end of the line, suggests a continuation, which is however absent in bar 137. We assume – same as FE (→EE) – that it means separated slurs, which are at the same time an alternative possibility of interpreting A. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A |
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b. 136
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composition: Op. 19, Bolero
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The reviser of EE2 (→EE3) arbitrarily added a slur for the first two chords in the R.H. (also in analogous bar 250). category imprint: Differences between sources issues: EE revisions |
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b. 136
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composition: Op. 16, Rondo in E♭ major
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category imprint: Differences between sources issues: EE revisions |
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b. 136
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing wedge is probably an oversight of the engraver of GE. There is a similar situation in bar 140. category imprint: Differences between sources issues: Errors in GE |
minim as its beginning. The doubt is dissipated – to the favour of a slur combining the crotchets – by a slur in analogous bar 284. 
