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b. 124

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

Initially, FEH copied the 4th finger for the 1st semiquaver in bar 124, which was then changed to the 5th one, which distinguished that fingering from the one given by Fontana in EE.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 124-125

composition: Op. 11, Concerto in E minor, Mvt III

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 124-125

composition: Op. 38, Ballade in F major

 in A (→GC→GE)

No sign in FE

in EE
..

The lack of  hairpin is most probably an oversight by the engraver of FE. The much shorter sign in EE is likely inaccurate.

category imprint: Differences between sources

issues: Errors in FE , Scope of dynamic hairpins , EE inaccuracies

b. 124

composition: Op. 22, Polonaise

..

In the main text we add a cautionary  before g1 (cf. authentic  in b. 122).

category imprint: Editorial revisions

b. 124

composition: Op. 22, Polonaise

..

In FE (→GE1), there is not a single accidental under the octave sign. The patent inaccuracy – the preceding flats before d2 and g2 were considered sufficient – was corrected in EE and – partially – in GE2 (→GE3), in which a  was added only before g3.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions