|
b. 158-159
|
composition: Op. 23, Ballade in G minor
..
The L.H. slur in A is written down quite vaguely; moreover, it partially blends in with the category imprint: Differences between sources issues: Errors in FE , GE revisions |
|||||
|
b. 158-161
|
composition: Op. 23, Ballade in G minor
..
Having returned to the key of E category imprint: Editorial revisions; Corrections & alterations; Source & stylistic information issues: Cautionary accidentals , Deletions in A , Last key signature sign |
|||||
|
b. 158
|
composition: Op. 2, Variations, complete
..
The version of AsI with two identical chords on the 2nd and 3rd quavers in the bar must be earlier. In the main text we give a chord without e1 written in A (→GE→FE,EE,FESB) as the 3rd quaver of the alternative L.H. part. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
|||||
|
b. 158
|
composition: Op. 2, Variations, complete
..
The AsI arpeggio may be considered an equal variant – it cannot be ruled out that Chopin did not write it in A, since he considered arpeggios on tenth chords to be natural and did not care for marking them. Of course, a differentiated performance of such chords, strictly according to the notation, is to be regarded as the principal option. category imprint: Differences between sources |
|||||
|
b. 159
|
composition: Op. 43, Tarantella
..
We add cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |
hairpin, which was most probably the reason why it was overlooked by 
major at the beginning of b. 158, Chopin inserted and then deleted in 
to a2 in the R.H. in b. 161. This version was repeated by all editions. In the main text we add cautionary naturals to a1 in b. 159 and a2 in b. 160-161 and cautionary flats to the L.H. e
lowering d1 to d