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b. 124

composition: Op. 26 No 2, Polonaise in E♭ minor

..

FE displays traces of correction from the original A version – see bar 20.

category imprint: Corrections & alterations; Source & stylistic information

issues: Authentic corrections of FE

b. 124

composition: Op. 21, Concerto in F minor, Mvt III

g1(2) in A (→GE)

g1(2) in FE (→EE)
..

In the main text, we give g1(2) as the 4th quaver in bar 124, introduced by Chopin in the proofreading of FE (→EE). The composer also took care of cautionary naturals before g2(3) in the next bar. The version of A (→GE) is most probably erroneous – if Chopin wanted to have a g1(2) in this place, he would have probably used the diminished chord B-e-g-d1 in the orchestral accompaniment.

 

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 124

composition: Op. 11, Concerto in E minor, Mvt III

Staccato dots in FE (→EE)

No marks in GE
..

The missing dots in GE may be merely an oversight; however, it cannot be ruled out that the marks were added in the last proofreading of FE – see the note on the slur.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 124-126

composition: Op. 11, Concerto in E minor, Mvt III

Slur in FE (→EE) & GE3

No slur in GE1 (→GE2)
..

The slur in FE was added probably in the last phase of proofreading; hence it is absent in GE1 (→GE2). It is indicated by the shape of the slur, adjusted to the already existing elements of notation with difficulty. The slur was added in GE3 (also in the L.H.).

category imprint: Differences between sources

issues: GE revisions , Authentic corrections of FE

b. 124-126

composition: Op. 11, Concerto in E minor, Mvt III

No L.H. slur in FE (→EE,GE1→GE2)

Slur in GE3
..

Like 4 bars earlier, the slur in the L.H. added in GE3 seems to be justified yet unnecessary. 

category imprint: Differences between sources

issues: GE revisions