



In the main text, we give g1(2) as the 4th quaver in bar 124, introduced by Chopin in the proofreading of FE (→EE). The composer also took care of cautionary naturals before g2(3) in the next bar. The version of A (→GE) is most probably erroneous – if Chopin wanted to have a g1(2) in this place, he would have probably used the diminished chord B
-e-g-d
1 in the orchestral accompaniment.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Authentic corrections of FE
notation: Pitch