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b. 123
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the unnecessarily repeated category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 123-124
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A sharps to the bass octaves at the beginning of these bars are only next to the top notes. The remaining necessary accidentals were added by GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 123
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composition: Op. 12, Variations in B♭ major
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FE has rittenuto instead of the correct ritenuto. EE corrected the mistake. GE gives the correct shortened form riten. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 123
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composition: Op. 12, Variations in B♭ major
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Taking into account the slurs in analogous bar 121 and the relatively numerous inaccuracies and omissions concerning slurs in the Variations, in the main text we suggest adding a slur over the demisemiquaver group. We provide the slur in brackets, as the different melodic motif used in this group and the presence of ritenuto mitigate the parallel nature of the endings in bar 121 and 123. category imprint: Editorial revisions |
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b. 123
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composition: Op. 12, Variations in B♭ major
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The staccato dot appearing in FE over d category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
to f3 in the penultimate third, present in all sources.
2 is certainly a mistake, perhaps provoked by the ambiguity of [A]. In the main text we omit it, as already done in