



b. 121-122
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composition: WN 29, Waltz in E minor
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A two-bar pedal is marked in the sources only the first time this section appears (bars 97-98). It is most probably an oversight, hence in the main text we include (by means of the repeat sign) the marks given the first time in both places. category imprint: Editorial revisions issues: Errors in PE |
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b. 121
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composition: Op. 49, Fantaisie in F minor
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In the 1st chord FE1 overlooked the category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
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b. 121-122
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composition: Op. 49, Fantaisie in F minor
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The missing slur in EE1 must be an oversight, corrected in EE2 after comparing it with GE1 (the e1 crotchet was also added at the beginning of bar 122, removed in FE – see the next note). category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 121-123
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composition: Op. 12, Variations in B♭ major
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The change of wedges in bars 121 and 123 to staccato dots in GE resulted from general revision by this publisher – see the note in bar 7. However, the same change in EE can be puzzling, as EE generally kept the wedges printed in FE. According to us, it is an arbitrary revision inspired by the dot at the beginning of bar 121. The reviser also modified slurs – see the preceding note. See also bar 140. category imprint: Differences between sources issues: Errors in EE , GE revisions |
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b. 121
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A |