b. 152-154
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 20-22, in FC the slur was extended by Chopin. The doubled ties in EE are an arbitrary revision, quite frequently applied in that edition. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FC |
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b. 152
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composition: Op. 22, Polonaise
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In the main text we suggest a long accent after an analogous situation in b. 150. The mark was also added in EE; however, a short accent was used (like in the vast majority of cases). category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 152
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composition: Op. 22, Polonaise
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In FE, there are no naturals before the bottom voice d1/2/3 notes. The last one is absolutely necessary; in spite of that, it was not added in any of the subsequent editions, in which the additions were limited to a before d1 at the beginning of the bar. Moreover, FE (→GE) are lacking in the before c3 in the 2nd figure; the accidental was added in EE. Significantly, the previous note, d3, is preceded with a , which was apparently understood as a cautionary accidental due to the d notes in the bottom voice and in the L.H. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals , Errors repeated in GE , Errors repeated in EE |
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b. 152
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composition: Op. 23, Ballade in G minor
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We add a cautionary before f2 in the main text. category imprint: Editorial revisions |
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b. 153
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composition: Op. 43, Tarantella
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In A at the beginning of b. 153 (and b. 161 marked as repeat) third c1-e1 is not dotted. Such notation seems more natural to accomodate the phrasing, so we retain it in the main text, even though in corresponding b. 149 (157) there are augmentation dots. Compare annotation in b. 4. category imprint: Interpretations within context; Differences between sources; Editorial revisions |