



b. 119-120
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composition: Op. 21, Concerto in F minor, Mvt I
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The cautionary flats before d category imprint: Editorial revisions |
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b. 119-120
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composition: Op. 21, Concerto in F minor, Mvt I
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Sustaining the e category imprint: Editorial revisions |
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b. 119-120
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composition: Op. 21, Concerto in F minor, Mvt I
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Out of the two curved lines written in A, the tie of e category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 119
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composition: Op. 21, Concerto in F minor, Mvt III
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The missing e2 on the penultimate quaver in the bar is almost certainly Chopin's mistake, corrected by him in GE (→FE→EE). category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 119
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composition: Op. 11, Concerto in E minor, Mvt III
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FEH contains an ambiguous entry in the 2nd half of the bar – two almost vertical lines that can be interpreted as an emphasis on the entry of the solo part or, on the contrary, as a deletion of the 3rd quaver of the bar beginning the soloist part. It seems that the latter is supported by the diagonal cross over the 4th quaver, perhaps written as an additional marking of a new, shifted entry of the soloist. However, a possible variant gives rise to a number of doubts:
Therefore, the given version must be approached with great caution as a possible variant of uncertain authenticity. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Authentic post-publication changes and variants , Annotations in FEH |