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b. 152
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composition: Op. 21, Concerto in F minor, Mvt I
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The "model" long accent in A was reproduced in the editions as a short one. Similarly in bar 154 as well as in bars 302 and 304. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 152
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur embracing only the quaver triplet is an inaccuracy of revision of EE. The same slur was added also in the L.H. – see bars 145-160. category imprint: Differences between sources issues: EE revisions , EE inaccuracies |
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b. 152
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composition: Op. 11, Concerto in E minor, Mvt III
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The wedge of GE is probably a mistake. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 152-154
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composition: Op. 11, Concerto in E minor, Mvt III
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In spite of differences, the indications of both sources probably represent the same fingering. A possible difference may concern only the 1st semiquaver of bar 152 – the missing marking in EE suggests the use of the 2nd finger, which is more natural for this scheme. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 152
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composition: Op. 38, Ballade in F major
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In A (→GC,FE) the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Authentic corrections in GC , Inaccuracies in A |
raising b
1 to b1 is only written before the 8th semiquaver, and there is no