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b. 149

composition: Op. 2, Variations, complete

..

In AsI there are no accidentals before the last two demisemiquavers in the bar. This time, Chopin's patent oversight – cf. analogous b. 137, 141 and 145 – remained unnoticed also in A (→GE→FESB,EE1→EE2). It was only FE and EE3 that added flats restoring b and b1.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors of A , Authentic corrections of FE , Omitted correction of an analogous place , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 150

composition: Op. 39, Scherzo in C♯ minor

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Missing in FE1 are the ending of the tie sustaining E flat and   lowering E1 to E flat1. Those obvious mistakes were corrected in FE2.

category imprint: Source & stylistic information

issues: Errors in FE

b. 150-151

composition: Op. 38, Ballade in F major

2 slurs in A (→EE)

1 slur in GC (→GE) & FE
..

Bar 151 starts a new line in A (→GC), and the literally read slurs, written with impetus, denote one slur over two bars. This reading was reproduced in both FE and GE. Only in EE  each bar is embraced with one slur, presumably on the basis of the comparison with analogous passages – in all seven passages (bars 48-49, 50-51, 56-57, 58-59, 142-143, 144-145 and 152-153) the slurs are separated. Moreover six of the corresponding pairs of bars are written in one line, so that the slurring raises no doubt whatsoever. On this account, we also give separate slurs in the main text.

category imprint: Differences between sources

issues: GE revisions , FE revisions

b. 150

composition: Op. 38, Ballade in F major

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A (→GC,FE1) has no naturals before the upper notes of the 4th and 12th semiquaver (b1 and b2). This inaccuracy, characteristic of Chopin, was gradually corrected in FE – the first  was added in FE2, the second in FE3. All these sources have no  before the 7th L.H. note, b. This, however, is not an error because a b in the 2nd R.H. semiquaver is placed with the appropriate  on the lower staff. The remaining editions have a fully correct text.
Moreover, in the main text we remove the  repeated before g1 in the 8th semiquaver, present in all the sources.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Authentic corrections of FE , Authentic corrections in GC , Inaccuracies in A

b. 150

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

In the main text we add a cautionary  before a.

category imprint: Editorial revisions