mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 118

composition: Op. 24 No. 4, Mazurka in B♭ minor

A slur in A (→GE1→FE→EE)

No slur in GE2 (→GE3)
..

In GE2 (→GE3) the slur embracing the two quavers was removed. That revision could seem in place when the slur from bar 117 reached the second one of the two quavers. However, in our main text we retain Chopin's slurring from A.

category imprint: Differences between sources

issues: GE revisions

b. 118-119

composition: Op. 38, Ballade in F major

Tie in A (→FE,GC<wbr>→GE1)

No tie in EE

Shifted tie (slur?) in GE2 (→GE3)
..

The lack of tie to a1 is almost certainly an oversight in EE. It is unclear why the tie was moved upwards in GE2 (→GE3), obfuscating its meaning (whether it is a tie or a slur).

category imprint: Differences between sources

issues: Errors in EE , GE revisions

b. 118

composition: Op. 38, Ballade in F major

..

In A (→GC,FE) there is no  raising B to B. The inaccuracy was corrected in EE and GE.

category imprint: Editorial revisions

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors repeated in FE

b. 118

composition: Op. 38, Ballade in F major

..

GC overlooks the dot extending the minim in the L.H.

category imprint: Interpretations within context

issues: Inaccuracies in GC

b. 118

composition: Op. 35, Sonata in B♭ minor, Mvt I

No  in GC (→GE) & FE (→EE)

[] suggested by the editors
..

After the  sign in bar 117, the sources do not include a  asterisk. In the main text we suggest adding the sign after similar bar 111.

category imprint: Editorial revisions

issues: No pedal release mark