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b. 118
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
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b. 118
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composition: Op. 21, Concerto in F minor, Mvt III
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According to us, the staccato dot added in GE (→FE→EE) is either a revision or, which seems to be more likely, a mistake of the engraver. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 118
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composition: Op. 11, Concerto in E minor, Mvt II
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The use of the 1st finger on the only white key of this passage is the most natural fingering of this figuration, hence it having been originated by Chopin is difficult to prove in EE and FEH. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 118
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we give a slide of the 5th finger, characteristic of Chopin, copied in FES. Therefore, the standard fingering added by Fontana in EE is probably inauthentic in the first half of the passage. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
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b. 118-119
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composition: Op. 11, Concerto in E minor, Mvt II
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In FE, one can notice in these bars traces of removing shorter slurs, three in bar 118 and one in bar 119. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
