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b. 114-115
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The missing slur is Chopin's oversight in AF (→FE→EE), most probably provoked by the transition to a new line. category imprint: Differences between sources issues: Inaccuracies in A |
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b. 114-124
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composition: Op. 44, Polonaise in F♯ minor
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The staccato dots under the L.H. quavers are an arbitrary addition of the engraver of GE2. This time – unlike in b. 87-100 – the procedure was limited to the groups of three quavers at the end of the bars with even numbers (apart from that a dot was added only on the 2nd beat of b. 117). category imprint: Differences between sources issues: GE revisions |
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b. 114-123
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composition: Op. 44, Polonaise in F♯ minor
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In b. 114, 116, 118 and 123 we add reminder naturals to the R.H. notes written down on the bottom stave – twice f and twice c – in accordance with the notation used by Chopin in analogous b. 90, 92 and 99. The naturals to f are already in FE (→EE), while to c – in EE2 (→EE3). category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals |
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b. 114-115
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composition: Op. 23, Ballade in G minor
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The longer slur of FE (→GE,EE) must have resulted from Chopinesque proofreading. It is proven by the corrections to the slurs of A in b. 112-114, moving in this direction. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 114
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composition: Op. 2, Variations, complete
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In FE1, there are 3 crotchets in the bottom voice, which is a mistake (we reproduce them in our system in the "transcript" version only), which was corrected in FE2 by adding a quaver beam combining all 3 notes. We give this version, probably the latest authentic one, in the main text. See also the note at the end of the bar. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE |
