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b. 139
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composition: Op. 50 No. 3, Mazurka in C♯ minor
..
We add a cautionary category imprint: Editorial revisions |
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b. 139
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composition: Op. 50 No. 3, Mazurka in C♯ minor
..
The pedalling of AF (→FE→EE), encompassing the first two beats of the bar, is related to the G category imprint: Differences between sources; Editorial revisions |
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b. 139-140
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The slurs over the L.H. pairs of crotchets specify the notation and were most probably introduced in [AG] (→GE). AI is devoid of L.H. slurs/phrase marks until b. 188. category imprint: Differences between sources |
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b. 139
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composition: Op. 44, Polonaise in F♯ minor
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Both versions are most probably authentic, hence in the main text we give the version of the principal source, FE. The slur next to the grace note may be understood as a conventional mark or as an arpeggio. Performance: category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 139
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composition: Op. 23, Ballade in G minor category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
before b1 in the main text.
in 
crotchet present in these sources at the beginning of the bar – see the note above. As we give another version in the main text, we do not take into account this version of pedalling, particularly since in the next bar, with rest on the 1st beat, 
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.
to b
2 was added – perhaps by Chopin – at the stage of proofreading