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b. 139-140
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The phrasing slur in bars 139-140 can only be found in A (→GE2→GE3). The omission of that slur in GE1 (→FE→EE) is an error probably resulting from the notation of A, in which the slur partially overlaps with the word sempre. category imprint: Differences between sources issues: Errors in GE |
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b. 139-140
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In our main text we give sempre rallentando, just like Chopin wrote it in A. In GE (→FE→EE) the word sempre was placed earlier, at the beginning of the bar, and rallentando was replaced with the abbreviation rallent. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 139-142
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Considering their shape and location, the accents in bars 139 and 142 in A must be viewed as short ones, and this is how they were interpreted in GE (→FE→EE). This is also consistent with Chopin's notation used in similar situations in bars 120, 122 and 134. However, the marks are big enough to stir some doubt; Chopin might have wanted to have long accents here after all, as accented notes are sustained longer (cf. also bar 146). category imprint: Graphic ambiguousness issues: Long accents |
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b. 139-140
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composition: Op. 39, Scherzo in C♯ minor
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FE erroneously has D sharp1 as the lower note in both bars. category imprint: Differences between sources; Source & stylistic information issues: Errors in FE , Terzverschreibung error |
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b. 139
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composition: Op. 39, Scherzo in C♯ minor category imprint: Differences between sources issues: Long accents |
