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b. 138-147
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composition: Op. 31, Scherzo in B♭ minor
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In GE the extended hairpins in b. 138-139 and 146-147 are inaccuracies; they could have resulted from general assumptions concerning the range of such markings. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 138-140
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In both preserved autographs the slur is led to the end of b. 140. The version of GE, in which each of b. 139-140 is provided with a separate slur, most probably corresponds to the notation of [AG], and we give it in the main text as probably being the latest. category imprint: Differences between sources; Corrections & alterations |
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b. 138
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The version of AI is original and most probably connected to the original version – except for the top voice – of the R.H. part. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 138
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composition: Op. 23, Ballade in G minor
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In A, the slur at the end of b. 137, which ends the line, clearly indicates that it should be continued, yet in b. 138 a new slur begins. This very frequent inaccuracy was interpreted by FE (→GE,EE) as a continuous slur. In the main text we suggest a different solution, since in b. 138 a new theme of the Ballade begins. category imprint: Graphic ambiguousness; Differences between sources |
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b. 138-140
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composition: Op. 23, Ballade in G minor
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In A, there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , FE revisions |
w 
restoring b
2 in b. 138 and in the next two, which are marked in an abridged manner as a repetition of this bar. The mistake, typical of Chopin, was corrected by