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b. 138
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composition: Op. 42, Waltz in A♭ major
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In FE there is no category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 138-139
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composition: Op. 38, Ballade in F major
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In the editors' opinion, e2 in A (→GC,FE1,EE), although possible from harmonic point of vue, results probably from Chopin's inadvertence. In any case, the almost certainly authentic correction of FE2 (→FE3) urges to acknowledge e category imprint: Differences between sources; Editorial revisions issues: GE revisions , Errors of A , Authentic corrections of FE |
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b. 138
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 34, GE2 (→GE3→GE4) and EE2 added cautionary flats next to g category imprint: Differences between sources issues: GE revisions |
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b. 138
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composition: Op. 25 No 5, Etude in E minor
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The corrections visible in FC in this and the previous bar – shift of category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 138-139
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composition: Op. 64 No 2, Waltz in C♯ minor
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The absence of the slur in both versions of GE1 means that most probably it was originally absent in FE too, in which, however, it was added – probably by Chopin – in the last phase of proofreading. The slurs added in later GE, embracing two full bars, are a result of a revision, same as in bars 10-11. In turn, an earlier beginning of the slur in EEC may be simply an inaccuracy. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , EE inaccuracies , Authentic corrections of FE |
returning a
on the penultimate quaver. Chopin overlooked this error also in 
from bar 137 to bar 138 and addition of con forza – prove a possible addition of indications in all three Stichvorlage manuscripts by Chopin. 
in 
