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b. 107-108
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composition: Op. 29, Impromptu in A♭ major
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The sources differ in the range of diminuendo hairpins and placement of the indication dim. In A the hairpins begin between the 2nd and 3rd quaver, in EE under the 4th quaver, while in FE and GE under the 1st one. Moreover, in GE the range of hairpins was shortened, hence they include only bar 107. We adopt the notation of A and leave the typical for Chopin placement of dim. on an arm of the hairpins. category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 107
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composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , FE revisions |
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b. 107
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composition: Op. 43, Tarantella
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In A category imprint: Interpretations within context; Differences between sources issues: Errors of A |
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b. 107
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composition: Op. 43, Tarantella
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In A in the middle voice c category imprint: Differences between sources |
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b. 107
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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It is not certain whether in A the word più has an accent above 'u' or not, as the possible accent blurs with the slur. In GE the notation is correct (i.e. accented), but this was not repeated in FE (→EE). category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE |
on d1 in RH. Similar addition was made in all sources except 
1 crotchet is not dotted. The tie extending this note over to the next bar is most probably notated at the beginning of the next bar, which may be indicated by the burnt edge of the manuscript's next page. The ties's presence in