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b. 106-109
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composition: Op. 23, Ballade in G minor
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In A, 8 accidentals are missing: naturals to e in b. 106, e1 in b. 106, 107 and 109, b and b2 in b. 108 and sharps to c category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 106
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composition: Op. 49, Fantaisie in F minor
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The fact that the missing naturals in A (→[FC]→FE category imprint: Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Last key signature sign |
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b. 106
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composition: Op. 49, Fantaisie in F minor
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In A one can see that Chopin initially wrote the 3rd L.H. crotchet an octave higher, as B category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Bass register changes |
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b. 106
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composition: (Op. 4), Sonata in C minor, Mvt I
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At the beginning of the bar, in IE the crotchet in the bottom R.H. voice is an f, which is a mistake. category imprint: Interpretations within context; Differences between sources issues: Errors in IE |
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b. 107-108
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composition: Op. 29, Impromptu in A♭ major
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The abbreviated indication acceler. in A is repeated only in FE. GE and EE give the indication in its full form. In EE the indication accelerando was divided into syllables, which is a characteristic feature of that edition. In FE it is likely that the shift of acceler. over the last group of quavers may be an inaccuracy of the base text's recreation. category imprint: Differences between sources |
3 in b. 107 and f
to c
to b in b. 108 are missing too. In the layout adopted by the editions and in our transcriptions, these accidentals are not necessary.)
-minor chord in 
chord, and not an E
