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b. 3
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composition: Op. 24 No. 1, Mazurka in G minor
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In GE2 (→GE3) a cautionary category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 3-4
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composition: Op. 24 No. 1, Mazurka in G minor
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Visible in A is the erased original version of the accompaniment, in which both bars had G crotchet with a staccato dot falling on the 1st beat. Both bars also had pedalling analogous to the pedalling preserved in adjoining bars. The notation before the change was as follows:
category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
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b. 3
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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A category imprint: Editorial revisions; Source & stylistic information issues: Errors of A , Last key signature sign |
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b. 3
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composition: Op. 24 No. 3, Mazurka in A♭ major
category imprint: Differences between sources; Corrections & alterations |
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b. 3-7
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In AI there is no slur in the L.H. part in bars 3 & 7. In the editors' opinion it is just an economical notation, for a corresponding slur is to be found in bar 1, which contains the same notes and rhythm as in the discussed bars. In the main text we give slurs found in A (→GE→FE→EE). Similarly in bars 27 & 31. category imprint: Differences between sources; Corrections & alterations |
was added before a1 on the last chord. That unjustified revision was probably done to imitate Chopin's signs in analogous bars 
1 to g1 is missing from all the sources. The use of g1 between f
1 and g
