Issues : Accompaniment changes
b. 3-4
|
composition: Op. 24 No. 1, Mazurka in G minor
..
Visible in A is the erased original version of the accompaniment, in which both bars had G crotchet with a staccato dot falling on the 1st beat. Both bars also had pedalling analogous to the pedalling preserved in adjoining bars. The notation before the change was as follows:
category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
|||||
b. 13
|
composition: Op. 24 No. 1, Mazurka in G minor
..
When correcting FE (→EE), Chopin made the accompaniment in this bar fully resemble that in all the analogous bars. category imprint: Differences between sources; Corrections & alterations |
|||||
b. 33
|
composition: Op. 24 No. 1, Mazurka in G minor
..
The change of the 1st crotchet from B flat to B flat1 in the proofing of FE (→EE) definitely comes from Chopin. category imprint: Differences between sources; Corrections & alterations |
|||||
b. 62
|
composition: Op. 24 No. 1, Mazurka in G minor
..
We give the markings of A. In GE (→FE→EE) only the dot was left, which is probably the result of inaccurate reading of the manuscript. The slur was probably added in A after the deletion of the sixth on the 3rd beat of the left hand, so there is no reason to omit it. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Corrections in A , Errors resulting from corrections , Accompaniment changes |