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b. 3-4
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composition: Op. 10 No 11, Etude in E♭ major
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In FE the slur in bar 3 (last one in the line) ends on the last note in the bar. The mistake contributed to the fact that bar 4 was embraced with a separate slur in GE and EE. In the main text we give the only correct and authentic slur of A. In bars 11-12 the version was faultlessly reproduced in all sources. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 3-11
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composition: Op. 10 No 5, Etude in G♭ major
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Pedalling in bar 3 and analog., added by Chopin in a proofreading of FE, is inconsistent (bars 3 and 51 have all marks, yet they are differently distributed) and partially incomplete (in bar 11 there is only the category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 3-11
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text in bar 3 we give the fingering from A without brackets. It was also reproduced in FE (→GE), however, omitting, probably inadvertently, the last digit. This reduced fingering version is also in EE, in which it was additionally repeated in analogous bar 11. Moreover, that edition adds digits in the further part of bar 3. In the main text, apart from the digits drawn from A, we consider a different fingering written by Chopin in bars 3-4 in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Differences in fingering |
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b. 3
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composition: Op. 10 No 6, Etude in E♭ minor
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While proofreading FE, Chopin added the fingering of the L.H. in bars 3-4, particularly '3' over the first sustained a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors resulting from corrections , Authentic corrections of FE |
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b. 3
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composition: Op. 10 No 6, Etude in E♭ minor
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The fingering in the L.H. was added by Chopin during a proofreading of FE (→GE,EE). Chopin suggests here a different, slightly more demanding finger arrangement than at the beginning of the piece. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Annotations in FES , Authentic corrections of FE |
sign at the beginning of the bar). The second 
in bar 3. As, according to the benchmark fingering given in bar 1, the last semiquaver in bar 2 should be played with the 4th finger, such a notation could suggest a swap of the finger on this note. According to us, there is, however, a more plausible explanation for this notation – Chopin added the fingering in bar 3 before he decided to change the ending of bar 2, i.e. the 3rd finger at the beginning of bar 3 was added in the moment when the note was being struck and not held. Therefore, in the main text we propose to move the digit to bar 2, which was included in the neighbouring 
