Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 5, Etude in E minor
Sources
- Fontana's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
EE1 - First English edition
| Publisher: | Wessel & Co. |
| Date: | X 1837 |
| Title: | Douze Etudes || No. 17 |
| Dedication: | Made. la Comtesse d'Agoult |
EE1 is based on a lost manuscript, most probably [A] or – which is even more likely – its copy. The manuscript, already after having been written, was entirely reviewed and corrected by Chopin, so even the versions differing EE1 from the remaining editions can be authentic (e.g., f
at the beginning of bar 36, the grace note chord in bar 42, the slur in bars 73-76 or 
in bar 139). In turn, nothing indicates a possibility of Chopin proofreading of EE1.
Same as in some other sources, EE1 lacks a few necessary accidentals, as, e.g., in bars 14 and 16.
| Original in: | National Library of Scotland, Edinburgh |
| Shelf-mark: | Mus. Vol. 268 (1) |