|
b. 181-182
|
composition: Op. 44, Polonaise in F♯ minor
..
The missing pedal markings in FE (→EE) do not seem to be an oversight, since the same situation can be observed in analogous b. 240-241, and the likelihood of the same mistake being made in two analogous places is negligible. It means that the markings were added to #A later – after [FC] had been finished – hence the discrepancy between the sources. category imprint: Differences between sources |
||||||||
|
b. 183
|
composition: Op. 44, Polonaise in F♯ minor
..
In the main text we add cautionary naturals to the d2-b2 sixth. A natural to b2 was also added in GE2. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
||||||||
|
b. 184
|
composition: Op. 44, Polonaise in F♯ minor
..
In the main text we suggest supplementing the accent after analogous b. 139, 159, 198 and 218. category imprint: Editorial revisions |
||||||||
|
b. 184-185
|
composition: Op. 44, Polonaise in F♯ minor
..
According to us, both source versions of pedal markings are most probably authentic. The shorter pedal of GE corresponds to the pedalling of analogous b. 139 and 159. In turn, the longer pedal of FE (→EE) includes, as it seems, the R.H. part register, in this bar significantly higher than in the remaining analogous places, as a result of which it is also a longer pedal that sounds clean. category imprint: Differences between sources; Editorial revisions |
||||||||
|
b. 186-189
|
composition: Op. 44, Polonaise in F♯ minor
..
In accordance with the explanation in the note to b. 127, in the main text we suggest adding slurs (in square brackets) after analogous bars 127-128, 147-148 and 208-209. We also add staccato dots (see the adjacent note). category imprint: Editorial revisions |
in 
