b. 143
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composition: Op. 44, Polonaise in F♯ minor
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The delay of the resolution of the d2 seventh is an improvement Chopin introduced while proofreading FE (→EE). A similar situation can be found in b. 163. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 144-145
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composition: Op. 44, Polonaise in F♯ minor
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The additional slur is an arbitrary revision by EE. category imprint: Differences between sources issues: EE revisions |
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b. 147-150
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composition: Op. 44, Polonaise in F♯ minor
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In accordance with the explanation in the note to b. 127, in the main text we follow FE and suggest adding a slur (in square brackets) in the second pair of bars. The missing slur in EE may be explained by an oversight of the engraver; however, due to the absence of the discussed bars in FE1, it cannot be ruled out that the slur had already been absent in that edition. category imprint: Differences between sources; Editorial revisions issues: Errors in EE , Authentic corrections of FE |
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b. 147-150
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composition: Op. 44, Polonaise in F♯ minor
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In accordance with the explanation in the note to b. 127, in the main text we include the set of staccato dots of FE in b. 147-148 (the set was completed in EE2). Moreover, we suggest adding dots in b. 149-150 (in square brackets). category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 151
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composition: Op. 44, Polonaise in F♯ minor
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There is no cautionary to f2 before the 1st R.H. quaver in FE (→EE1) and GE. In this context it is a patent inaccuracy (probably by Chopin) – two cautionary accidentals are present in all sources both 2 bars further and in the first phrase of this section, in b. 131, 133 and 135. The accidental was added in EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in FE , Cautionary accidentals |