b. 127-130
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give 10 staccato dots after EE2. Such an articulation is an obvious addition to the articulation of our principal source, i.e. FE, in which the staccato dot over the 2nd crotchet in b. 129 was overlooked. As far as GE are concerned, it seems that both the absence of dots in b. 127-128 and the dot at the beginning of b. 129 resulted from mistakes, i.e. an oversight and a routine addition, respectively. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 127
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we add the ending of the slur, since in the previous bar its shape in FE suggested that it should be continued. category imprint: Graphic ambiguousness; Editorial revisions |
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b. 127-157
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composition: Op. 44, Polonaise in F♯ minor
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These bars are absent in FE1, since in the only known copy coming from this impression, the leaf containing pages nos. 5-6 is missing (including b. 105-168). category imprint: Source & stylistic information issues: Incomplete sources |
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b. 128-130
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give the pedal markings of our principal source, i.e. FE (→EE), typical of Chopin. As Chopin did not repeat those pedal markings in further, analogous places, the indications of GE, almost certainly authentic, can be considered an equivalent variant. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 131
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composition: Op. 44, Polonaise in F♯ minor
category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |