Issues : EE revisions

b. 38

composition: Op. 28 No. 24, Prelude in D minor

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The last note in the 1st L.H. figure was probably written down as g in A, which Chopin then turned to b; eventually, he crossed it out and rewrote b. As is the case with many similar situations, it is not preceded by a , which was corrected in FC (→GE) and EE.

category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information

issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Errors repeated in FE

b. 42

composition: Op. 28 No. 24, Prelude in D minor

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In FE the 2nd semiquaver in both figures is an erroneous c note, whereas in EE – most probably as a result of revision of this clearly false version – e. The version of EE, although possible in terms of harmony, is pianistically improbable. In turn, the pencilled correction of c to A written in FES, compliant with the version of A (→FCGE), may come from Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Terzverschreibung error , Annotations in FES

b. 43-46

composition: Op. 28 No. 24, Prelude in D minor

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A is missing the  lowering a to a in b. 43 and three subsequent ones, marked in the L.H. part as repetition thereof. The patent inaccuracy was corrected both in FC (→GE) and FE (→EE).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Fontana's revisions , Inaccuracies in A

b. 47-49

composition: Op. 28 No. 24, Prelude in D minor

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In A and in the remaining sources there is a cautionary  next to A in b. 47. In the main text we add in this bar a  also next to a. The accidental was also added in FC (→GE). In addition, since in FC (differently than in A) b. 48-49 were marked in an abridged manner as repetition of b. 47, GE printed the cautionary naturals next to A and a (present in FC in b. 47) also in b. 48-49. All those cautionary naturals (including the unnecessary ones) were also introduced in EE2, most probably on the basis of comparison with GE1.

category imprint: Differences between sources; Editorial revisions; Source & stylistic information

issues: EE revisions , Cautionary accidentals , Fontana's revisions

b. 49-50

composition: Op. 28 No. 24, Prelude in D minor

a1 tied in A (→FE,FCGE) & EE2

a1 repeated in EE1

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The missing tie of a1 is a mistake of the engraver of EE1, corrected in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE