mUltimate Chopin

Op. 28 No. 24, Prelude in D minor

Text Compare Notes Sources Description

Issues : Accidentals in different octaves

b. 17

composition: Op. 28 No. 24, Prelude in D minor

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In A there are no naturals raising b to b and B to B. The accidentals were added both in FC (→GE) and FE (→EE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Omission of current key accidentals , FE revisions , Fontana's revisions , Inaccuracies in A

b. 32

composition: Op. 28 No. 24, Prelude in D minor

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In the final part of the roulade (starting from c2), there are no accidentals in A (→FE). The patent inaccuracy was corrected in FC (→GE) and EE by adding the necessary naturals before b2 and b3.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A

b. 34-36

composition: Op. 28 No. 24, Prelude in D minor

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A (→FE) is missing accidentals before the quavers ending the first L.H. figures in b. 34 and 36. The necessary sharps raising f to f were added in FC (→GE) and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Fontana's revisions , Inaccuracies in A , Errors repeated in FE

b. 35

composition: Op. 28 No. 24, Prelude in D minor

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There is no  raising b1 to b1 in A (→FC,FE). The patent inadvertence was corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE

b. 36

composition: Op. 28 No. 24, Prelude in D minor

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The pairs of sharps raising d2(3)-f2(3) to d2(3)-f2(3) are missing in the 2nd half of the passage in A (→FC,FE). (The mark before the last quaver is also missing, which we discuss separately – see the next note). The inaccuracy, generally typical of Chopin, and particularly of the Preludes, was corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE