Issues : EE revisions

b. 18

composition: Op. 28 No. 24, Prelude in D minor

Long accent in A (→FC)

in FE

No mark in GE & EE1

in EE2

..

As was the case with b. 3, in A the long accent is placed right under the note; however, in FE it was moved to the right, hence it could be interpreted as a  hairpin. This is how it was reproduced – moving it even further to the right – in EE2 (EE1 omitted the mark). The absence of the mark in GE is most probably an oversight of the engraver.

category imprint: Differences between sources

issues: Long accents , EE revisions , Inaccuracies in FE , Errors in EE , Errors in GE

b. 18

composition: Op. 28 No. 24, Prelude in D minor

..

In the final part of the roulade (starting from c2), there are no accidentals in A (→FC,FE). The patent inaccuracy was corrected in GE and EE by adding the necessary sharps and a natural. See also notes to bars 32 and 36.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , GE revisions , Inaccuracies in A , Errors repeated in FE

b. 19-20

composition: Op. 28 No. 24, Prelude in D minor

sempre forte in A (→FC,FE)

sempre forte in b. 19 in GE

sempre  in b. 19 in EE

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions

b. 21-23

composition: Op. 28 No. 24, Prelude in D minor

..

EE1 overlooked ties to a in bars 21-22 and g1 in bar 23. The errors were corrected in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 28

composition: Op. 28 No. 24, Prelude in D minor

..

EE pointlessly repeated a  directly before the f1 minim. Cf. Prelude in F no. 23, b. 10.

category imprint:

issues: EE revisions