b. 2
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composition: Op. 24 No. 3, Mazurka in A♭ major
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AI has a dotted rhythm on the 1st beat, and no grace note before a crotchet f2 on the 2nd beat. In the main text we give the undoubtedly ultimate version of A (→GE→FE→EE). In GE1 (→FE→EE) the slur accompanying the grace note begins too early from the quaver a1. This imprecision was corrected in GE2. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE |
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b. 3
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composition: Op. 24 No. 3, Mazurka in A♭ major
category imprint: Differences between sources; Corrections & alterations |
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b. 3-7
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In AI there is no slur in the L.H. part in bars 3 & 7. In the editors' opinion it is just an economical notation, for a corresponding slur is to be found in bar 1, which contains the same notes and rhythm as in the discussed bars. In the main text we give slurs found in A (→GE→FE→EE). Similarly in bars 27 & 31. category imprint: Differences between sources; Corrections & alterations |
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b. 3-8
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In bars 3-4 & 7-8 in GE2 the crotchets e and A were notated as if each of them belonged to two parts. This kind of pedant revision, justified in an orchestral score, is a needless complication in piano music performed by one person. A similar situation occurs in bars 25-28 & 31-32. category imprint: Differences between sources issues: GE revisions |
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b. 3-8
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composition: Op. 24 No. 3, Mazurka in A♭ major
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We reproduce the signs in bars 3-4 and 7-8 in the main text according to A. In bars 7-8 in GE (→FE→EE) those signs were reproduced slightly inaccurately. AI has accents instead of hairpins for d flat2 (a long and a short one), while the accents over a flat1 in bars 4 and 8 are missing. category imprint: Differences between sources |