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b. 2

composition: Op. 24 No. 3, Mazurka in A♭ major

A and #Wn2

GE1 (→FEEE)

..

AI has a dotted rhythm on the 1st beat, and no grace note before a crotchet f2 on the 2nd beat. In the main text we give the undoubtedly ultimate version of A (→GEFEEE).

In GE1 (→FEEE) the slur accompanying the grace note begins too early from the quaver a1. This imprecision was corrected in GE2.

category imprint: Differences between sources; Corrections & alterations

issues: Inaccuracies in GE

b. 3

composition: Op. 24 No. 3, Mazurka in A♭ major

 The L.H. rhythm in AI

 A (→GEFEEE)

..

On the 1st beat in the L.H., AI has even quavers, as in bar 1.

category imprint: Differences between sources; Corrections & alterations

b. 3-7

composition: Op. 24 No. 3, Mazurka in A♭ major

..

In AI there is no slur in the L.H. part in bars 3 & 7. In the editors' opinion it is just an economical notation, for a corresponding slur is to be found in bar 1, which contains the same notes and rhythm as in the discussed bars. In the main text we give slurs found in A (→GEFEEE). Similarly in bars 27 & 31.

category imprint: Differences between sources; Corrections & alterations

b. 3-8

composition: Op. 24 No. 3, Mazurka in A♭ major

AI and A (→GE1FEEE)

Additional "voice" in GE2

..

In bars 3-4 & 7-8 in GE2 the crotchets e and A were notated as if each of them belonged to two parts. This kind of pedant revision, justified in an orchestral score, is a needless complication in piano music performed by one person. A similar situation occurs in bars 25-28 & 31-32.

category imprint: Differences between sources

issues: GE revisions

b. 3-8

composition: Op. 24 No. 3, Mazurka in A♭ major

 and accents in A

GE (→FEEE)

Accents in AI

..

We reproduce the   signs in bars 3-4 and 7-8 in the main text according to A. In bars 7-8 in GE (→FEEE) those signs were reproduced slightly inaccurately.  AI has accents instead of hairpins for d flat2 (a long and a short one), while the accents over a flat1 in bars 4 and 8 are missing.

category imprint: Differences between sources