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In bars 3-4 & 7-8 in GE2 the crotchets e
and A were notated as if each of them belonged to two parts. This kind of pedant revision, justified in an orchestral score, is a needless complication in piano music performed by one person. A similar situation occurs in bars 25-28 & 31-32.
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category imprint: Differences between sources
issues: GE revisions
notation: Rhythm
