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b. 8

composition: Op. 24 No. 3, Mazurka in A♭ major

 AI has no dot

A dot in A (→GEFEEE)

..

AI does not have a staccato dot for A flat, although a dot is present in the analogous bar 4. A (→GEFEEE) all have staccato here. Similarly in bar 32.

category imprint: Differences between sources

b. 8

composition: Op. 24 No. 3, Mazurka in A♭ major

category imprint: Differences between sources

issues: GE revisions , Cautionary accidentals

b. 9-10

composition: Op. 24 No. 3, Mazurka in A♭ major

A longer slur in AI

Slur in AI without a "triplet" slur

Slurs in A, literal reading

Slurs in A (→GE2), contextual interpretation

GE1 (→FEEE)

..

The first slur, encompassing the triplet, is written inaccurately in A, patently shifted to the left. This resulted in its earlier beginnig in GE1 (→FEEE). The correct interpretation of the sign, in keeping with the analogous bars 5-6 as well as 29-30 and 33-34, was introduced in GE2.

AI has different slurs here, as in bars 5-6. We propose the longer one as an alternative to the slurring in A.

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: Inaccurate slurs in A

b. 9

composition: Op. 24 No. 3, Mazurka in A♭ major

A dot in AI and A (→GE2)

No mark in GE1 (→FEEE)

..

GE1 (→FEEE) overlooked a staccato dot. In GE2 the error was corrected.

category imprint: Differences between sources

issues: Errors in GE

b. 9

composition: Op. 24 No. 3, Mazurka in A♭ major

in A

in AI and GE (→FEEE)

..

A pedal release mark is placed after a rest on the 3rd beat in A. This notation is confirmed by the analogous bars 29 & 33, hence we give it in our main text. The remaining sources have under the rest.

category imprint: Differences between sources

issues: Inaccuracies in GE