mUltimate Chopin

Op. 24 No. 3, Mazurka in A♭ major

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b. 10

composition: Op. 24 No. 3, Mazurka in A♭ major

 
 
..  

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 11

composition: Op. 24 No. 3, Mazurka in A♭ major

No dot in AI and FE (→EE)

A dot in A (→GE)
..

The staccato dot was overlooked in FE (→EE). The mark is also invisible in AI. 

category imprint: Differences between sources

issues: Errors in FE

b. 11

composition: Op. 24 No. 3, Mazurka in A♭ major

Dots in AI

No marks in A (→GE→FE→EE)
..

The quavers in AI are marked with portato dots (under a slur). Lack of dots in A (→GE→FE→EE) means probably a change to the articulation of the bar, possibly in conjunction with the vivid separation of the closing motif in bar 12. However, it cannot be ruled out that Chopin used a slur to just single out a melodic unity and left articulation nuances at the discretion of the performer.

category imprint: Differences between sources; Corrections & alterations

b. 11

composition: Op. 24 No. 3, Mazurka in A♭ major

 in AI, A and GE2

GE1 (→FE→EE)
..  

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 12

composition: Op. 24 No. 3, Mazurka in A♭ major

Rest in the L.H. in AI

Sixth with tied a1 in A & GE2

Sixth in GE1

Tied a1 in FE (→EE1)

Sixth with tied a1 in EE3
..  

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Errors in GE , Accompaniment changes , Authentic corrections of FE