mUltimate Chopin

Op. 24 No. 3, Mazurka in A♭ major

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b. 36

composition: Op. 24 No. 3, Mazurka in A♭ major

..

Bars 13-36 are not repeated in AI which therefore contains no first ending of bar 36 (and no repeat sign).

category imprint: Differences between sources

b. 36

composition: Op. 24 No. 3, Mazurka in A♭ major

Pedalling read literally in A (→GE→FE)

Pedalling in A, contextual interpretation

Pedalling in EE
..

The pedal release sign is written in A at the end of the bar. However, in this particular case this falls out almost perfectly below the 3rd crotchet. In the main text, we adopt a notation taken from the analogous bar 12 (2nd ending). EE shifted to the left. (This bar is absent from AI.)

category imprint: Graphic ambiguousness; Differences between sources

issues: EE inaccuracies

b. 36

composition: Op. 24 No. 3, Mazurka in A♭ major

No 1st ending  in AI

Sixth, tie to a1 in A

Sixth, additional slur in GE1

a1 tied to bar 13 in FE (→EE1)

Sixth, a1 tied to bar 13 in EE3

Sixth, revisions in GE2
..  

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations

issues: Errors in FE , Errors in GE , GE revisions , Authentic corrections of FE

b. 36

composition: Op. 24 No. 3, Mazurka in A♭ major

Slur beginning in AI

Slur beginning in A (→GE→FE→EE)
..

In AI, the slur begins on the 1st quaver, while in A (→GE→FE→EE) on the 2nd one, which is probably connected with the fact that Chopin added a staccato mark above the first quaver in A.

category imprint: Differences between sources

b. 36

composition: Op. 24 No. 3, Mazurka in A♭ major

No slur in A (→GE1→FE→EE)

Slur in GE2
..

GE2 added a slur to c2, leading to d2 in bar 13. It is part of a revision aiming at uniformization of this bar with the 2nd ending of bar 2. (This bar is absent from AI.)

category imprint: Differences between sources

issues: GE revisions