b. 33
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
 
category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE , Wedges |
||||||||||||
b. 33
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
 
category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||||||
b. 33
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
Read literaly, the slur in A begins under the last note of the triplet. The notation in AI in that bar (= bar 9), and the script of the both autographs in the analogous bar 29 convince that this is an inaccuracy of notation due to the position of the accent on the 2nd beat. GE (→FE) already interpreted it that way repeating a longer slur from the analogous bar 29 (with similar imprecision, and also omitting a 'triplet' slur). EE shifted the beginning of the slur to under the grace note what certainly is mistaken. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccurate slurs in A |
||||||||||||
b. 34
|
composition: Op. 24 No. 3, Mazurka in A♭ major
category imprint: Differences between sources issues: Chopin's hesitations |
||||||||||||
b. 34
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
GE1 (→FE→EE) has no wedge for e flat1. That oversight of GE1 was corrected in GE2. The wedge is also missing in AI. We base our main text on A. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Wedges |