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b. 30-34

composition: Op. 24 No. 3, Mazurka in A♭ major

No marking in AI

 

 in A (→GEFEEE)

..

In A, Chopin put  on the 2nd beat of bar 30 and bar 34 . The mark was included in all the first editions. 

category imprint: Differences between sources; Corrections & alterations

b. 30-34

composition: Op. 24 No. 3, Mazurka in A♭ major

..

In A (→GEFEEE) Chopin decided to remove the  on the first beat of bar 30. A similar situation occurs in bar 34, and also in bars 6 and 10, the repetition of which constitutes bars 30 and 34 in AI.

category imprint: Differences between sources

issues: Chopin's hesitations

b. 30

composition: Op. 24 No. 3, Mazurka in A♭ major

..

AI has no  here; Chopin wrote it later in A (→GEFEEE). The marking in A is placed over the R.H. what seems to have no special meaning here. We put it—following first editions—in a standard position between staves.

category imprint: Differences between sources; Corrections & alterations

issues: Placement of markings

b. 30

composition: Op. 24 No. 3, Mazurka in A♭ major

in AI and GE2

No mark in A

in GE1 (→FEEE)

Our suggestion

..

There is no asterisk  in A . In the main text we give that mark at the end of the bar, just like Chopin did in the analogous bar 6. In GE1 (→FEEE) the mark was added under the rest on the 3rd beat of the bar,  following the usual manner in which such marks were interpreted in that edition. In the editors' opinion, editorial revision is slightly more probable here than Chopin's correction. In GE2 is placed earlier, before the rest. The mark in AI (in bar 6, of which bar 30 is a repetition) has a similar position, yet conformity with GE2 is definitely accidental.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Errors of A , Authentic corrections of GE

b. 30-31

composition: Op. 24 No. 3, Mazurka in A♭ major

category imprint: Graphic ambiguousness