b. 35
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In A (→GE→FE→EE) Chopin decided not to have the staccato dots in bar 35. Those dots had been earlier written in AI in bar 11, of which bar 35 is a repetition in AI. See bar 11. category imprint: Differences between sources |
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b. 36-38
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composition: Op. 24 No. 3, Mazurka in A♭ major
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A has the asterisks written at the end of those bars, although the mark in bar 37, when read literally, falls under the 3rd crotchet. In GE1 (→FE) all the three marks are placed under the 3rd crotchet. In EE, the notation of FE in bars 37-38 was reproduced inaccurately, evidently due to graphic difficulties (pedalling for the last line, from bar 37, was written between the staves). In GE2 attempts were probably made to reproduce the notation of A, yet the effect of the changes in bar 36, and particularly in bar. 38, is unclear. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Placement of markings , EE inaccuracies |
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b. 36
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composition: Op. 24 No. 3, Mazurka in A♭ major
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AI has no dolcissimo marking. In FE, and even more in EE the indication is shifted toward the beginning of the bar. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 36
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composition: Op. 24 No. 3, Mazurka in A♭ major
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The first editions have a staccato dot instead of a wedge written in A. Such an inaccuracy is characteristic of GE (→FE→EE) throughout the entire Mazurka. AI does not have any mark here. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 36
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composition: Op. 24 No. 3, Mazurka in A♭ major
category imprint: Differences between sources |