Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 28 No. 17, Prelude in A♭ major
Sources
- Fontana's copy I
- Autograph
- Fontana's copy
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
EE2 - Revised impression of EE1a
| Publisher: | Wessel & Co. |
| Date: | (1856-1860) |
| Plate number: | (W & Co. No. 3099.) |
| Title: | Twenty four Grand Préludes |
| Dedication: | Camille Pleyel |
EE2 introduced small amendments to the text of EE1 i.a. on the basis of a comparison with GE1:
- the mistakes in b. 20 and 22, indicated in the description of EE1, were corrected;
- the following were added: another cautionary
in b. 33, the last missing 
in b. 44, 3 further cautionary accidentals in b. 52 and a in b. 54 as well as a lowering g1 to g
1 in b. 78; - the 2nd grace note in b. 43 was changed from c2 to c
2.
Among the changes being more or less obvious corrections of the version of EE1, it is the addition of ties to b1 in b. 44-45 and to c2 in b. 48-49 that is noteworthy – the ties are present only in FCI, which was not used in the publishing process of the Prelude.
The copy presented in mUltimate Chopin dates from around 1868 – see Prelude in D, no. 15.
| Original in: | The Fryderyk Chopin Institute Library, Warsaw |
| Shelf-mark: | 2013/n |