Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Articulation, Accents, Hairpins
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Articulation, Accents, Hairpins

b. 16

composition: Op. 43, Tarantella

AFC3 (→FEIE), EEGE4

..

In GE1 (→GE2GE3) omitted accent on the first beat of b. 16. In the corresponding b. 8 the accent was marked, and so this way of notation cannot be perceived as intentional.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 28

composition: Op. 43, Tarantella

AFC3 (→FE(→IE), EE

..

Only in GE there is no accent on the first beat of the bar, which was probably mistakenly omitted.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 31

composition: Op. 43, Tarantella

AFC3 (→FEIE), EEGE1 (→GE2GE3)

..

In GE4 an accent was added arbitrarily in the second half of the bar.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 36

composition: Op. 43, Tarantella

A, EE, GE4

FC3 (→FEIE), GE1 (→GE2GE3)

..

In FC3 (→FEIE), GE1 (→GE2GE3) there is no accent on the first beat. It is most certainly an omission as there is an accent in these sources in the first presentation of the repeated theme (b. 20).

category imprint: Differences between sources

issues: Inaccuracies in FC

b. 44

composition: Op. 43, Tarantella

AFC3 (→FEIE), EE

..

Only in GE, most probably as a result of an omission, there is no accent on the first beat of the bar.

category imprint: Differences between sources

issues: Inaccuracies in GE