Articulation, Accents, Hairpins
b. 153
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composition: Op. 43, Tarantella
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In GE1 in b. 153 there is no dynamic marking on the first beat. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 155
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composition: Op. 43, Tarantella category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 157
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composition: Op. 43, Tarantella category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 161
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composition: Op. 43, Tarantella
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In EE on the first and second beat of b. 160 and on the first beat of b. 161 there are markings without accents. In all impressions of GE there is no third marking on the first beat of b. 161. In FE (→IE) only an accent is missing on the third marking. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 164-178
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composition: Op. 43, Tarantella
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The notation of accents on the LH chords is inconsistent in all the sources. In A the first few accents (in bars 164-166) are marked as short, the majority however (beginning with b.167) are unquestionably long ones and yet FC3 (→FE→IE) as well as GE and EE provide short accents only. In b. 169 of A there is no accent above the second chord, which was corrected in all other sources. A consistent musical context may result in an assumption that all those differences are but mere omissions, which leads to the version proposed for the main text. In FE (→IE) accents are marked in RH, which must have resulted from incorrect notation of FC3 (cf. notation of A, especially in bars 172-175). category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |