Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Articulation, Accents, Hairpins
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Articulation, Accents, Hairpins

b. 100

composition: Op. 43, Tarantella

A, FC3 (→FEIE), EE, GE1 (→GE2GE3)

Our proposed variant

..

In all sources except GE4 there is no accent on the first beat of b.100. This most probably results from the fact that b. 100 is only partly written out in both A and FC3 due to the repetition of the preceding part.

category imprint: Interpretations within context

b. 116

composition: Op. 43, Tarantella

A, FC3 (→FEIE), EE

..

In all GE impressions there is no accent on the first beat of b. 116.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 123

composition: Op. 43, Tarantella

A, FC3 (→FEIE), EE

..

In GE accent on the second beat of the bar must have been mistakenly omitted.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 124

composition: Op. 43, Tarantella

FC3 (→FEIE), EE, GE

..

In all sources except A there is no accent on the first beat of the bar in the notation.

category imprint: Differences between sources

issues: Inaccuracies in FC

b. 132

composition: Op. 43, Tarantella

Our proposed variant

A, FC3 (→FEIE), EE, GE

..

None of the sources has an accent on the first beat of b. 132. However, since this bar and b. 84 are analogous we propose an accented variant.

category imprint: Interpretations within context