Articulation, Accents, Hairpins
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b. 153
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composition: Op. 43, Tarantella
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In GE1 in b. 153 there is no category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 155
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composition: Op. 43, Tarantella
category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 157
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composition: Op. 43, Tarantella
category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 161
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composition: Op. 43, Tarantella
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In EE on the first and second beat of b. 160 and on the first beat of b. 161 there are category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 164-178
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composition: Op. 43, Tarantella
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The notation of accents on the LH chords is inconsistent in all the sources. In A the first few accents (in bars 164-166) are marked as short, the majority however (beginning with b.167) are unquestionably long ones and yet FC3 (→FE→IE) as well as GE and EE provide short accents only. In b. 169 of A there is no accent above the second chord, which was corrected in all other sources. A consistent musical context may result in an assumption that all those differences are but mere omissions, which leads to the version proposed for the main text. In FE (→IE) accents are marked in RH, which must have resulted from incorrect notation of FC3 (cf. notation of A, especially in bars 172-175). category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
dynamic marking on the first beat.
