Articulation, Accents, Hairpins
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b. 176
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composition: Op. 43, Tarantella
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In A the accent on the second beat of the bar is clearly long, while all the other sources have a short accent (except GE, wher the mark was omitted). Cf. bars 164-178. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 178-179
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composition: Op. 43, Tarantella
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In FE (→IE) diminuendo begins on the second beat of the bar. In EE it begins on the second quaver of the bar. In the main text we provide a version compatible with A, FC3 and GE. category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 184
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composition: Op. 43, Tarantella
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In EE there is no accent on the first beat of the bar. category imprint: Differences between sources issues: EE inaccuracies |
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b. 192
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composition: Op. 43, Tarantella
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In EE there is no accent on the first beat of the bar. category imprint: Differences between sources issues: EE inaccuracies |
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b. 196
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composition: Op. 43, Tarantella
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In IE and A there is no accent on the first beat of the bar. In IE it may have been omitted but in A this part is illegible due to the charred manuscript, so we cannot be certain whether Chopin notated an accent here or not. We can assume however that in A the accent was notated as it can be found in all the remaining sources. category imprint: Graphic ambiguousness; Differences between sources |
