mUltimate Chopin

Op. 43, Tarantella

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Articulation, Accents, Hairpins
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Articulation, Accents, Hairpins

b. 59

composition: Op. 43, Tarantella

A

FC3 (→FE→IE), GE, EE
..

In all sources except A the copyist omitted an accent on the first beat of the bar. 

category imprint: Differences between sources

issues: Errors of FC

b. 67

composition: Op. 43, Tarantella

A

FC3 (→FE→IE), GE, EE
..

In all sources except A there is no accent on the first beat of the bar. Compare annotation in b. 59.

category imprint: Differences between sources

issues: Errors of FC

b. 72

composition: Op. 43, Tarantella

No accent in A, GE

Accent in FC3 (→FE→IE), EE

Our proposed variant
..

No bracketed marking in A or GE. It may have been added by Chopin in lost copies but it may have also been arbitrarily added by the revisors. There is an accent at the beginning of the bar in FC3 (→FE→IE) and EE.

category imprint: Differences between sources

b. 80

composition: Op. 43, Tarantella

Accent in A, FC3 (→FE→IE), EE

No accent in GE
..

In GE there is no accent on the first beat of the bar.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 84

composition: Op. 43, Tarantella

Our proposed variant

In A the hairpins extend over from the beginning of the bar to the fifth note.

Long accent in FC3.

In GE the hairpins extend over the bar from note second to fifth. 

In EE, FE (→IE) there is an accent in this place.
..

In every source articulation is marked differently in this bar.

category imprint: Differences between sources

issues: Scope of dynamic hairpins