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b. 6-7

composition: Op. 43, Tarantella

..

In A and FC3 the second grouping of quavers in bars 6-7 is marked in short as repetition of the first group. Similarly in bars 14-15.

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A

b. 7

composition: Op. 43, Tarantella

..

In GE1most probably due to an inaccuracy there is no  diminishing c1 to c1 and g1 to g1 on the second beat of RH.

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in GE

b. 7-8

composition: Op. 43, Tarantella

AFC3 (→FEIE)

 
..

Slurs in GE and EE are certainly imprecise. This may have resulted from unclear notation of slurs in Fontana’s copies serving as the basis for these editions (where e.g. b. 7 was the last in the first line of the text. However, the way slurs are noted in A leaves no room for doubt as for Chopin’s intention in this place.

category imprint: Differences between sources

issues: EE revisions , GE revisions , Inaccuracies in FC

b. 8

composition: Op. 43, Tarantella

..

We add cautionary  before g and cin the middle voice.

category imprint: Editorial revisions

b. 9-10

composition: Op. 43, Tarantella

AGE

FC3 (→FEIE), EE

..

 

Missing bottom slur in FC3 (→FEIE) and EE must be the copyist’s omission in [KF2].

category imprint: Differences between sources

issues: Errors of FC